2006. Plaster, cement.
As part of a long period of research into what drawing could be, I was working with cement and plaster pieces to create ‘drawing installations’. The plaster and cement marks were arranged and rearranged to create works that responded to the environment and architecture. The title ‘close play’ is both a reference to a definition of to draw, and refers also to the notion of the marks having found a resting point after a period of playful positioning and repositioning.